(Believe) The Hype and Let it Work for You

January 26, 2012

Leonardo da Vinci: Painter at the Court of Milan

Last autumn there was much hue and cry about the prices that tickets for the Leonardo DaVinici: Painter at the Court of Milan were getting in our resale market.  The exhibit, billed as a ‘once in a lifetime opportunity’ and only running for four months was sure to generate massive demand and thus higher prices, some offered for as much as £250 each.  At the time we suggested that consumers should wait for prices to come down.  While it was great info to provide to consumers it made for bad headlines and was not included in any of the 5,350  stories that ran on the subject.

Fast forward a few months and tickets are selling for as low as £60 with the mean prices in the £80 range.  DaVinci offers a teachable moment on how to work price to your advantage.

When an event with high demand goes onsale there will always be speculators, big and small, who invest in the hopes that prices will increase.  This is the case for everything from event tickets to classic cars to orange juice futures made famous in the film “Trading Places.”  Often the press, particularly in the UK, will latch onto these stories and sensationalise them to their readers in an attempt to whip up a populist rage.  This coverage only serves to drive prices even higher as sellers try to capitalise on the spotlight on the event.  It’s only when the furore dies down that so does the mark-up on the prices.

So the lesson here is that if you are sensitive to prices, as most of us are in this day and age, wait.  Take a breath, prices will fall and you can have a great time at whatever event it is knowing you’re the player not the playee.

Pricing History for Leonardo DaVinci: Painter at the Court of Milan



Posted by JCohen

Seatwave launches mobile website

December 21, 2011

As a ticket marketplace one major advantage is that tickets are available for sale right up until the day of the event. If you combine this with the ability to browse and buy tickets on the go using your mobile, it’s a great experience.

Seatwave on mobile makes sense.

Our mobile strategy started with the launch of an iPhone app, which we recently followed up with the SDK.  The SDK lets 3rd party developers sell Seatwave tickets in their apps.

We realise that’s a lot of iPhone attention! Plenty of our users want apps for their devices and while we do want to create native apps for all the major platforms, the best way to reach out to as many users as possible is to offer a mobile site.

Check it out on you mobile now, and if you want to browse the desktop version of the site you can still switch back easily.

Home page and navigation

The mobile site matches the look of the desktop site with some simple navigation changes for an improved mobile experience. Of these changes the most obvious are vertical menus which offer a quick way to find the tickets you want in the way you want. Search

  • Top Selling – Choose this for a quick route to the most popular events on Seatwave.
  • Near Me – Browse all the events near you. Either use your current location or enter one manually.
  • My Bands – Use My Bands to follow all your favourite artists in one place with Facebook connect.

Event and Ticket Selection

To ensure we created the best mobile solution for our users we held a series of buyer meetings. Based on all your feedback in our buyer meetings; UK and International events are listed as separate tabs and tickets are grouped by seating type. Once you have selected an event you can further filter the available tickets by price, delivery type and quantity.

A vertical menu lets you view the entire seat map on the same page as the tickets. Additionally you can share your plans with Facebook, Twitter or Email and set a price alert you don’t miss out on price changes.

Checkout process

Once you have chosen the tickets you want checkout is simple. As a returning user simply login and enter your 3 digit security code to complete the transaction.

If you are a new user create an account by entering your email. Then securely pay for you tickets using PayPal, credit card or debit card.

We hope that the new mobile site will make your Seatwave experience more enjoyable. Let us know your feedback and ideas for improving the mobile site at @seatwavelabs.

Category: Product
Posted by admin

Launching our iOS SDK & developer portal

December 13, 2011

Today we’ve not only launched our own iOS SDK but we’ve also launched our own developer portal.

For those of you scratching your head wondering what the ticket an iOS SDK is… It stands for software development kit and the iOS bit is the operating system iPhones run on.

Basically it allows app developers  to easily add ticket buying functionality to their apps. This helps them because it gives them a new way to monetise their apps in a relevant way (without throwing banner ads in your face) and it helps our customers by giving them more ways to purchase tickets.

We’re all heavy iPhone users here at Seatwave and between the team we have downloaded a ton of the available music apps. One thing we noticed is that the majority of these apps have iTunes download links and it seems like a logical step to put a ‘buy tickets’ link in there too.

Although we started with a music focus the SDK is relevant to developers of many app genres. The majority of the launch partners’ apps are music related, but we’ve been getting a lot of interest from location based directories. Now we have opened up to the developer community we look forward to seeing some other new uses cases for in-app ticket purchases.

If you are interested in finding out more about the SDK then head over to the Seatwave developer portal and if you would like to check out the SDK in action download one of our launch partners’ apps.

Finally from everyone at Seatwave I would like to say a big thank you to all of our launch partners for helping us squash bugs early on, define the SDK’s functionality, and their continued feedback throughout development process.

Launch Partner Apps
What’s On Air
MusicDNA ID
BandMate: Concert Tipster
FanTastic
Máxima 99.1 FM

Category: Uncategorized
Posted by admin

Seatwave iOS app goes international

August 8, 2011

Well it has now been four months since the launch of our first iOS app and we are pleased to say that we have reached a number of internal milestones and have just launched the app in Europe.

So to celebrate these achievements and to say thank you to our customer who have welcomed our app onto their handsets, we are giving you all £25 off the next ticket that you purchase through the app. Don’t worry if you haven’t downloaded the free app yet because we are going to keep this gift code live for the next 48 hours. You can head over here to download the free Seatwave app or simply search “seatwave app” in Google and follow the link to the iTunes store. And if your reading this and don’t have an iPhone, borrow a friends, we promise we won’t tell and you’ll still get to use the gift code.

Once you’re in the app use the code IPHONE25 when checking out.

The discount will expire at 12:00 PM (GMT) on Wednesday the 10th of August, so be quick and pick that gig that you’ve been dying to see.

For those of you who are new to our app, here is a quick summery of why we love it and hope that you will to.

  • Sync to iTunes – your app is populated with the artists that we know you like, based on your itunes playlists
  • Location – The app picks up on your location, where ever you are and presents concerts taking place that week
  • Dynamic Seating maps - allowing you to pick the actual seats you want in the venue based on blocks, areas & ticket price
  • Ticket Sale - A smooth purchase process that allows you to buy directly from your phone.
Category: Uncategorized
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Olympic Sponsors Can Take a Star Turn

June 23, 2011

It’s been called the ‘greatest show on earth’, but so far the only circus has been around the ticket fiasco created by Locog for the London 2012 Olympics. The ongoing maelstrom surrounding the ticketing system took a different tack this week with a number of major Olympic sponsors wading into the debate. Corporations such as Proctor & Gamble, Coca-Cola and Lloyds TSB have announced that they will be making their ticket allocations available to fans through a series of sales promotions and competitions.

While this is a step in the right direction, the sad fact is that the vast majority of sponsor tickets will end up in the hands of corporate staff, guests and in many cases go unused for the less-popular sports. As the majority of those applying for tickets have failed to secure any, it is the sponsors who have an opportunity to greatly increase public participation at London 2012.

As a start, Locog must change its resale policy and permit the transfer of unwanted sponsor, VIP and hospitality tickets, a simple initiative that could provide access for many thousands more real fans of the Games. Sponsors were initially allowed to bid for the 880,000 tickets that Locog held back from general sale, 10 per cent of total number of seats available during London 2012.

In permitting open resale of these sponsor tickets, Locog will provide the public with the dearly needed access to the Games it so craves, and we know that open ticket exchanges are the most effective way to ensure individuals get to see the events they most want to. There is a precedent for this approach at no less venerable an institution than the All England Lawn and Tennis Club, which encourages debenture holders to resell their tickets, and in parallel cracks down on the resale of ballot tickets.

At Wimbledon, those who are lucky enough to get tickets in the ballot are required to use them, and those who have the means to purchase a debenture have the flexibility to transfer their seat if and when they choose a system that would go a long way to alleviating the confusion and frustration Locog has caused to-date.

For the 50 or so companies that have substantial ticket allocations, which range from the showpiece opening ceremony to the coveted 100 metres final, this provides a great opportunity for them to step in as the Robin Hoods of London 2012 and give the games back to the fans. Additionally, sponsors would be ‘made-whole’ for their participation, as resale fees would revert to companies who have offered the tickets for sale.

Locog believe they have been treated badly by the media as they sought to provide a ‘fair’ allocation system. Right or wrong, Locog now have the opportunity to take a direct approach to ensure many thousands fans get improved access. Imagine the media treatment next summer when images of empty seats are flashed across the front pages of Britain? Millions of fans are still without tickets of which sponsors control hundreds of thousands. Locog and sponsors now must act quickly to get the tickets into the hands of the people who will value them the most and ensure many more fans get the chance to see the greatest show on earth.

Posted by JCohen

Alicia Keys – RAH 13 June 2011

June 20, 2011

To commemorate the 10th anniversary of the release of “Songs in A Minor,” Alicia Keys scheduled a one-off show at Royal Albert Hall last week – just her and the piano.  For fans of that release, of which I am a big one, it was a great opportunity to see Miss Keys up close in an intimate setting that proved to be an amazing performance. Getting into the venue was another story altogether.

Someone decided it would be great to prevent Miss Keys’ fans from reselling and buying from sellers tickets for this performance and a name checking “system” was to be implemented for the show. As a ticket marketplace, we’ve seen similar attempts made in the past and most often they only result in aggravating fans who are incredibly excited to see their favourite performers. One week prior to the performance, BBC Radio4’s You and Yours programme contacted us to see what measures we’d put in place for this performance as they’d been told by the event organisers that ‘no resold tickets’ would be allowed entry (funny they made no mention of ‘customers’). We explained to the producer of the programme that the result of this restriction would be a huge inconvenience on fans and it was misguided if the goal was to keep ticket prices affordable.

Several hundred customers bought their tickets through Seatwave for this performance (and we’d taken time to explain to all of them about the restrictions and how sellers would make sure they could gain entry) and not one of them was unable to gain entry to this show. In fact, if the RAH had been able to refuse entry to every ‘resold ticket’ Miss Keys would have been playing to an 50% empty house. So what did happen?

Lot’s of people were hassled on the door by staff of the event promoters. Many people who’d bought their tickets directly from the RAH box office were told they would not be able to enter because they had not brought the requisite identification until good sense prevailed and the organisers let them in. We’ve spoken with a number of people who attended the show who told us it would have been a ‘perfect evening’ if not for the Gestapo tactics of a few members of staff. A few reports suggested that the only people refused entry were at the door where the BBC reporter stood. This is supposed to be fun entertainment after all but that is lost on a number of people in the live events industry who have taken it as a personal mission to interrogate customers for their own satisfaction.

When I spoke with the Radio4 producer the morning after the show I asked her to what end did this all serve? “I don’t know,” she answered, “I don’t know.”

Posted by JCohen

Because we want a great Olympic Games

June 8, 2011

Over the past several weeks we’ve spoken loudly about the failings of Locog in selling tickets for the London 2012 Olympics. The press have been happy to slam Locog because it sells papers and is engaging television – a rationale we’ve taken advantage of if not fully supportive of. We know the same papers and broadcasters have slammed Seatwave in the past and will be happy to do so in the future, given the opportunity. So, why then are we doing this?

We believe in accountability. Being accountable is at the heart of what we do. We set out in our Manifesto in 2007 the principals we commit to operate by and we believe we should be held to account. We also think others should be accountable as well, in this case because at least £9 billion of the public’s money has gone into building the Olympic site – all citizens and businesses in the UK should have a say in how our money has been spent. So when Locog set out on this goofy scheme to allocate tickets we raised our voice because we understand the ticket business and how it works. We understand that people want the tickets they want when they want them. We understand fans will never believe that something they purchase is not their property to do with as they wish and we understand that banning ticket resale only creates a diabolical black market.

There are also calls to further regulate the ticketing industry and the actions of Locog have limited the public’s access to Olympic tickets – this is exactly why regulation would would be a mistake. Every time the organiser of an event is the sole path to market to get tickets, then fans lose out. Competition makes us accountable. Look again at football where black market sellers make a mockery of the law, provide no consumer protection and no VAT stays in the treasury. All because the clubs and the FA told government ‘we’d have chaos’ if they didn’t have complete control over access to their matches.

Vancouver hosted a great winter games two years ago and the tickets were balloted but buyers got to choose their tickets rather than the ‘blind ballot’ of 2012. Once the games got closer, Vanoc (the Vancouver Organising Committee) hosted an auction for premium seats for top events and there were several well managed resale marketplaces that allowed thousands of fans to attend the sessions they wanted to see, not just the ones they were forced to see. A great gold medal hockey match saw thousands of Canadian fans, many who did not get their tickets in the ballot, cheer their side on to victory against their southern cousins (my side). It was a great match and the people in the building were the people who most wanted to see the match. This is what great sporting events should be about.

Locog had choices in the way it decided to allocate tickets and chose to disadvantage everyone rather than let consumers get the tickets they want when they want them. This should be a lesson for the next time an event organiser demands monopoly rights in the distribution of their own tickets (the 2015 Rugby World Cup is right around the corner). More sellers means more choice for consumers and more choice for consumers holds all sellers to account for their actions, just as we are.

Posted by JCohen

Sade, the O2 Arena, 31 May 2011

June 1, 2011

We don’t generally review shows here but sometimes it has to be done. When tickets for Sade’s first UK show in 18 years went on sale at the end of last year I snapped two up as quickly as could also knowing 18 years is a long time and disappointment a real possibility. Was I wrong.

TinTin and I end up going with JSqaured and Brother Rod who were randomly seated next to us (thanks Amex pre-sale), a double date you could say. The O2 was packed which was somewhat suprising given the lack of promo the show had received. But it IS Sade after all and it WAS one night only.

This morning when I asked TinTin if it was as good as I thought it was she replied in her consistently direct manner: “the music is classic, the staging was fantastic, she hit every note and she really looks amazing!”

What more need be said.

Category: Uncategorized
Posted by JCohen

Seatwave iOS app v1.0.3

May 31, 2011

Our latest iPhone app version launched today. In it, we tackle the data challenge, an inherent problem in moving from a web to a mobile platform. We want our users to have a comprehensive listing of tickets visible on our application, but without waiting too long for our application to launch. The mobile environment limits multitasking and places a premium on speed. We tried a new merchandising strategy emphasizing our top selling events on our iPhone homepage. We also extended our application’s backwards compatibility so that it works on older versions of iOS.

The second change is something that rewards our users in the long run. We are now collecting feedback. We can only continue to improve our user experience if we understand their problems. So today we have integrated Flurry, an analytics and tracking SDK to help us understand how users are interacting with our mobile app.

We evaluated several SDKs before choosing Flurry. We looked at Admob and Apsalar in detail as well. Ultimately we decided to implement Flurry because it was the least intrusive on our users experience, while providing the best tracking insight. In almost real time visibility, we can see how users are engaging with our application and what links they are navigating to purchase. To get more qualitative feedback, we added a prompt to collect reviews. As we learn more, we hope to serve our mobile customers better.

Category: Product
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Posted by admin

Why make it so hard?

May 25, 2011

Everytime I go to an event I continue to be amazed by the lengths that organisers go to maintain ‘control’ over their franchise. In the twenty-first century world of open systems and social media the notion of giving up control to get it has been largely missed by event owners.

I was graciously invited to the French Open at Roland Garros, which, if you have not been, is one of the great venues in sport. It’s not fancy or flashy or new but it is quintessentially French and the contrast of the orange and green everywhere is a comforting sign of summer’s approach. I’d also add it is one of the best priced big sporting events as well. By comparison, my ticket on the Eurostar, dinner, overnight stay at a four start hotel and entry to the tennis cost less than a ticket alone to any day at Wimbledon (I love Wimbledon too but for different reasons which I will explain in another post shortly).

After coming in Monday night and having a great and very late dinner in the capital I got to start the day with a leisurely breakfast and lots of coffee. On the way out to the venue my host handed me the print out of my electronic ticket, a standard A4 page with the ticket information and barcode. He also told me I needed my passport because all of the tickets are tied to the name. He seemed worried that he’d registered my ticket as ‘Joe’ when in fact my passport said ‘Joseph.’ The last time that mattered, well, actually I’ve never had an occurance when it’s mattered so I was suprised at his level of unease at the discrepency.

When we got to Roland Garros I began to understand why. Mazes of iron barriers demarked points of entry to the venue with fairly large queues for noon on a Tuesday. I was carrying two large bags and as I was about to get them checked a young female steward asked me if I’d like to have them checked for the day. “Yes,” I responded happy to get them off my back for a few hours, to which she pointed across the motorway a half kilometer from the entrance. I declined.

Once I had my bags inspected I went through the gate and the scanner read my eticket. The scanner then printed out a ticket with my name on it and it was matched against my passport (the diminutive was passable). I then was allowed into the venue.

We spent about 30 minutes walking around looking for the correct entrance to the main stadium (Phillipe Chartier) and when we got to the port to enter the correct section our tickets were once again inspected my two more young female stewards. Forty-five minutes after entering the grounds we were finally seated in our seats. The tennis was great as we go to see Maria Sharapova and then Rafa Nadal play a five set match with John Isner, the 6 foot 9 inch American of the famous three-day Wimbledon match.

During the first match I got up to get some water and when I returned I was again instructed to show my ticket, print out and passport again in order to enter my seat, the same process ensued for each subsequent trip to get lunch, go to the toilet and finally to purchase a hat for my daughter. In all my ticket and passport were inspected five times by Roland Garros staff, a record not bested by any US airport, UK visa authority or club owner. Had it been French Open staff and not the US Special Forces I have to believe Osama Bin Laden would have been caught years ago.

So why is it that the organisers go to such lengths to treat their customers as criminals? Is it only to make sure no one ever shares a ticket? Is it something else? My theory is that event organisers become so blinded with rage at a third party earning a revenue stream around an event they believe they ‘own’ it causes them to take actions that are clearly not rational. As customers, we all kind of get used to this treatment so no one gets too moved by it. It does not provide a very good experience and it certainly doesn’t work to keep more people in the seats for future events.

I’ve recovered from my near water-boarding experience at the hands of young French girls but I wont soon forget it.

Posted by JCohen
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